Well, the workshop with In The Red is tomorrow. Davinia has done a really bang up job with the cast and also secured Anna Marsland (@anna_marsland) to run it. Anna has worked at the Royal Exchange as assistant director and now works at the New Vic Theatre. I’m looking forward to working with Anna and of course Davinia, whom I’ve known for years now. We first met at the Oldham Coliseum when I was assisting with the new writing course. We’ve since worked on audio pieces together and I’ve watched her set up her own theatre company (the aforementioned In The Red).
Once upon a time I knew no-one in theatre. Now I find I’ve known people for about six years (2006 is when I first got involved at The Coliseum) and in that time I’ve watched friends and colleagues change, grow and try different things in order to achieve their ambitions. Nothing in theatre is static. From the staff in theatre departments who change every few years, to the actors or producers who move on and shift their focus, change is going on all the time. This makes it difficult to align yourself with a specific place – it’s rather the people you make friends with that provide consistency. So, Davinia, whom I met as a new writer, ends up arranging a workshop for one of my plays through her theatre company six years later.
It feels a little self-indulgent to ask for actors and a director after writing only one act of a play – but I’m trying to do what I’ve read about other theatre writers doing – particularly my favourite David Eldridge (@deldridgewriter) – who spoke at a recent course I attended. Theatre is so much about actors that to write in isolation seems almost absurd to me – but then, new writers don’t usually have the luxury of doing anything else, so I’m immensely grateful to have the opportunity. It’s something I hope to continue – but again, it’s all about money and resources. And the goodwill of friends.
But I woke up today wondering how I can be the age I am and not be doing what I want to do for a living yet? So I’ve got to shake that feeling before tomorrow! Here’s my attempt – okay, the thing is – all you can do is write, and the rest of it is fate. Or luck. Or bribery. And the fact is – Yoda was wrong. It’s not “do or do not”. It’s “just keep trying”. Try try try.
As long as you tried you can rest easy. The horrible thing would be to look back and know you could’ve done more. So, in the end, it comes down to a cliche – if at first you don’t succeed:
And try again.